The Worried Writer Ep#55: Emily Royal ‘Keep At It!’

I have a great interview for you today with a dear friend of mine, historical romance author Emily Royal. Emily has written several novels and is impressively prolific, but 2019 is her first year as a published author. She has gone from submission hell to having several books out in one year, so there is lots to dig into, and I’m sure you will enjoy her story.

Emily’s books include medieval romance – The Sins of the Sire – and a Regency series, the London Libertines, which starts with Henry’s Bride. Book two, Hawthorne’s Wife, is out on 3rd September.

For more about Emily and her work, head to emroyal.com or find her on Twitter or Facebook.

 

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WRITING UPDATE

It’s been a busy month with more summer holiday fun, a family trip down south and lots of drafting on my third Crow Investigations book.

I have also been sorting through all of the notes I took at the publishing conference in Edinburgh. One of the many things it’s made me think about is my branding as an author. I have been trying to work out what my ‘promise to the reader is’ as although my books tend to have a wee bit of magic in them, they do span different genres such as supernatural thriller, women’s fiction historical, and urban fantasy.

There was a brilliant session from Derek Murphy (CreativeIndie) and he spoke about the importance of working out how you want your readers to feel when think of you/your books, and how that is linked (or should be linked!) to the way you present yourself (your branding)

MINDSET

As I mentioned last month, one of the most important things I got from the Edinburgh conference was a mindset shift. It could perhaps more properly be described as a mindset confirmation. Doing this author thing is a wee bit odd, and stepping outside the traditional route and running it as a business is another step away from the usual… Much as I love it, I hadn’t realised how and uncertain I still felt.

Physically being in the same space with hundreds of talented, successful, businesslike authors and small publishers, was transformational. It confirmed that I’m not alone in doing this (or delusional!). It was amazing to hear from people who are extremely successful, who I would like to emulate, but it also helped me to recognise the success that I have enjoyed and the things that I have achieved. Since I’m pretty rubbish at doing that, it was really helpful!

Another great tip I got from the conference was a reminder on the importance of working out your core ‘why’ for writing. People spoke unselfconsciously about their ambition for their writing and publishing, about financial and other goals, and about their core values and reasons for writing. It was another reminder that I’m on track for my core goals, and confirmed that my heart and head are in alignment.

It also reaffirmed my commitment to being a hybrid author, with some projects done through my own publishing company and some with other publishers.

I know that many of you are aiming for the traditional route, and may prefer not to deal with the business side at all, and that’s completely fine. For me, though, it’s an exciting and creative part of being an author, and I’m so grateful that I have the opportunity and control.

If you have any questions about writing, process, procrastination or the business side of things such as marketing or publishing options, email me, leave a comment on this post, or find me on Twitter.

 

RECOMMENDED

I give a shout out to some lovely folk on Twitter, including humorous suspense author Bill Cokas. I throughly enjoyed his interview on Paul Teague’s podcast, Self Publishing Journeys. I’ve recommended Paul’s podcast before (especially if you are interested in the nuts and bolts of running an author business), and this interview with Bill was great.

Also, long-time supporter of the show, Clare Sager, has started a podcast called Confessions of a First Time Author.

 

IN THE INTERVIEW

I’m still trialling the full transcript of the interviews (see below). I want to make the podcast more accessible for those who prefer (or need) to read, rather than listen. I would love to hear what you think! Do you like the full transcript or do you miss the ‘selected highlights’ of the old format?

 

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INTERVIEW TRANSCRIPT

 

Sarah [00:00:09] Emily Royal writes historical romance in both the medieval and Regency periods. Her debut novel The Sins of the sire came out in March this year and was swiftly followed by Henry’s Bride, Book One in the London Libertines series. Now, full disclosure, Emily is a close friend of mine. and I am thrilled that she is finally being rewarded for all her hard work and tenacity. Welcome to the show. Emily and thank you so much for joining us.

 

Emily [00:00:40] Oh hello Sarah. It’s so good to be here at last. After so many years of rejections and rejections and rejections it’s great to be here and I’ve been a bit of a fan girl of your show for ages, so it’s lovely to be on the other side of the microphone.

 

Sarah [00:00:55] We got here! I’m so glad, too. Before we get into your twisty path to publication which I’m very excited about,  I was hoping that you could just kick things off by telling us all a wee bit about the London Libertines series, because I believe Book 2 is actually going to be out quite soon.

 

Emily [00:01:18] Yeah. Book 2 should be out in a couple of weeks time. Just doing final tinkering on the format. So yeah the London Libertines series, I suppose you could describe it as Jane Austen with sex and dark stuff. There is a set of romances which currently is set in the Regency period but I suspect as the years progress it will move into Victorian. Set mainly in London but also in the country and country states and everything. And the heroes are unashamedly alpha males, so you could say it’s a bit bodice-rippy. But the heroines are all misfits in one way. So the heroine in the first book she’s quite plain, she’s awkward, she’s gawky, she’s intelligent and she speaks her mind, and she’s a bit of a social outcast. In the book that’s coming out in a couple of weeks time, Hawthorne’s Wife, the heroine is a complete outcast who’s afflicted by a childhood trauma and lots of horrible things happen to her and she has to overcome it. And actually in the third book the heroine is recovering from a mental breakdown. So it’s actually quite dark stuff. It’s interesting to put it in a regency setting, so it’s not your typical frothy sparkling romance with glittering gowns, it tackles some quite horrific issues sometimes.

 

Sarah [00:02:42] Excellent. And as I mentioned in the intro, we’re pals, so I do already know your path to publication story, having lived it alongside you a tiny wee bit, but it’s so inspiring. Especially since your debut year is such a busy one. Would you mind talking us through your path to publication?

 

Emily [00:03:12] Yeah. So how long have you got? I’ve been tinkering with writing for a couple of years. If we go back to kind of 2013, 2014, which is, yeah, five-six years ago, I’ve been writing for a couple of years and I think I ended up having three books that were really really rough and overly long. I remember telling you ‘I’ve written a book, Sarah, and it’s a hundred and eighty thousand words long’ and you kind of burst out laughing and said ‘yeah, you’re going to need to cut it down’.

 

So I had these books and I stumbled across the website for the Romantic Novelists Association, and on their website they talked about this new writing thing which they have. Where there’s a limited set of unpublished authors who can join the association so they get all the benefits of the magazine and access to seminars and conferences etc.. But with that comes a full critique of a novel. And I thought, yeah yeah I’m gonna have some of that. It’s massively oversubscribed so the slots are like T in the park tickets they get oversubscribed within about two minutes of the beginning of the year beginning. So it was March 2014 so I already missed the boat, but 2015, I stayed up at 2 minutes past midnight on the 1st of January and got in. And I got this critique in June of that year and it was really really positive and it was quite scary because that was the first time anyone had ever read anything I’d written because I just had you under the bed and didn’t even show it to my husband and kids, I was terrified of it. But it was really positive, so I though ‘brilliant brilliant’ and I started submitting to agents. And I got agent interest in September of that year which, for me, those three months submitting and getting rejections was just forever, but actually looking back I think that was pretty quick.

 

I got signed at the end of the year and I thought ‘Oh this is it. This is it. I’ve made it, I’m going to get a three book deal, I’m gonna get books in Waterstones.’ And now I look back and think you naive little fool! I just knew nothing about the publishing industry. So fast forward three years, nothing happens. I went through two books with my agent. I had periods of submissions to publishers, waiting to hear, lots of rejections, lots of radio silence. I can remember being stressed waiting for emails back from my agent and publishers, and every time my phone pinged it was like ‘yes, yes, check it!’ and it was an email from the Carphone Warehouse with an offer for a new phone and I just turned into a complete obsessive with this thing and it just stressed me out so much. And then I got to the end of it, and the second book failed to get a deal. So this was at the end of 2018, beginning of 2019, so a long time, and my agent and I decided to part company. So yeah, that was long and tortuous.

 

But during that, what I did was I just carried on writing more books. And what I did was the first book that my agent couldn’t get a deal for, I started submitting that to smaller publishers, and I finally managed to get a contract for that. That took about six months, and that book’s actually not out yet. But I got a deal for that middle of 2018. And then the second contract I got actually came out as a result of a Twitter pitch, which was a book that my agent looked at it and just went ‘No I’m not touching that, that’s way too dark, way too violent’. And that was that the Sins of the Sire. And I chucked it up as a Twitter pitch, May 2018, just really to see whether I could write a half decent tweet, whether I could do an elevator pitch. I didn’t think anything would come of it, but I got a ‘like’ from an editor at a publisher called Tirgearr which is based in Ireland and I’d heard good things about them, they’ve got quite nice covers and some of my friends published with them. I sent in the book and I gave full disclosure, I said ‘look, this book is way too violent and I’m sure it breaches all of your guidelines, but just out of courtesy here it is’. So I was quite blunt about it. Didn’t think anything of it. And I heard back from them a few weeks later and I didn’t even open the email because I just thought it was gonna be a rejection. And about two to three hours after I got the email, I came back into my hotel bedroom because I was actually away with work, had a couple of beers, thought ‘let’s see why they’ve rejected me’ and this email actually says we’re actually quite interested, what else are you writing? And they offered me a contract, which was a bit of a shock!

 

[00:08:03] And then the third contract was absolute lightning fast. It was just after I’d parted company with my agent beginning of 2019. My agent was based in the States and I wanted to have closure on publishers in the States, but there was one more publisher I was really interested in because they had great authors on their list who are topping some of the some of the charts, authors who I admire, who I fangirl over, so I thought I would kick myself if I didn’t at least chuck it at them and see what they thought. So I chucked it at them and then two days later I got an e-mail saying can we talk? I got back home that night and she phoned me up and then three or four days after they offered me a three book deal!

 

[00:08:44] So actually that one took a week to get a three book deal on that book and yet everything else has been years and years and years. Sorry, that was a long ramble!

 

Sarah [00:08:53] Not at all, thank you for sharing that. It’s an absolute head spinner how much things have changed and turned around for you. And there was that long torturous waiting period while you were agented, and I know so many folk listening will be able to empathise with that hugely. That glacial pace of traditional publishing and how it can go like that… Slow, slow, slow, wait, wait, wait and then fast!  It is so normal, unfortunately. The rejection and the submission process and getting an agent doesn’t mean it’s a done deal, but when we’re going through it we feel as if we’re failing or that it is a bad sign. So I’m so grateful for you being willing share it, because I think it’s really helpful for other people who are either going through it or looking to start submitting or whatever. So, in terms of speed, you went from effectively nothing, to, I believe several out this year?

 

Emily [00:10:28] Yes. So this year, I’m probably gonna have five books out, which is completely insane. It’s like I was sat with my engine idling for three years, getting really stressed, and then wallop I’m up to 100 in half a second. I still haven’t quite recovered from it.

 

[00:10:50] And there were so many lows during those three years. I can remember just being absolutely gutted and heartbroken with some of the rejections and the close ones were the worst. I mean, I had one where a publisher from a pretty half decent imprint was showing lots and lots of interest in my book. It was the first book that my agent tried to submit and actually then my agent really came into her own. She was really interactive and there was loads of communication and they were talking about careers, and three book deals, other projects, where is my career going, blah blah blah… And she was like ‘No, no, this is really positive’ and then it fell at the last hurdle. The editor really wanted it, but they just said no it’s the wrong timing, we’re not we’re not taking it. And that went from being just on the brink of this massive high, and I just plummeted off a cliff. I look back and say what was the worst day of my life. It probably wasn’t, it sounds quite melodramatic, but that was a low. And then for this to happen, particularly with the DragonBlade contract, as I kind of blinked and it happened. It was like, you look away and that’s when the unicorn just trots in front of you…

 

[00:12:07] Yeah it’s insane. It’s not this process of, it takes you six months to get an agent and it takes you a year to get a contract and a year to get another contract. It’s not a straight line, it’s up and down and all over the place it’s backwards and forwards and, yeah, it’s completely mental this industry.

 

Sarah [00:12:24] Having just been through that, is there anything that you wish that you could go back and tell yourself or what advice would you want somebody listening to hear if they are going through the same submission hell?

 

Emily [00:12:39] Actually the advice that you gave me, Sarah, was along the lines of just keep at it, you’re getting closer. And the only way to make sure it never happens is to give up… Just carry on, just chalk it up to experience and write another book, the market goes up and the market goes down, tastes change, it’s all a matter of timing, just keep at it and you will get there. And I remember looking at you thinking ‘Yeah well it’s all right for you because you’re on the other end of it’ but it is true. Just keep at it. Be true to yourself sounds like a cliché but just carry on writing what you love.

 

[00:13:19] The only way to get a deal is to just keep it keep writing books. You’re not going to build a career on one book. So even if you get a deal you’re going to have to write another book at some point, so you might as well crack on with it while things are out on submission. So long as you’re getting decent feedback so that you can see where the issues are, but you can see what’s good about it, what needs to be done,  then you’re always going to be learning and you’re always going to be getting that bit closer.

 

Sarah [00:13:47] I think that’s excellent advice, and I do think your advice to keep on writing – if you can – while you’re going through the submission hell is really a super-good tip.

 

Emily [00:13:59] I think the reason, or the main reason I got the DragonBlade contract is because when we were chatting she did say well we would like to have books in series and relatively rapid release, and because I’d been writing and writing and writing during this desert period, I already had three books which were drafted, and I think that was one of the things that swung the deal. So, yeah, keep at it.

 

Sarah [00:14:24] If it’s okay with you I’d like to go back to the beginning a wee bit and ask that very common question, did you always want to write?

 

Emily [00:14:32] Yeah I did. I never really liked English at school, so I didn’t like English language. I didn’t like having to read a book that you never would have read in the first place and having to analyse the characters. So I was never really good at that, but I was a hopeless romantic at heart and I always loved little romantic stories and occasionally we would do creative writing in English and I’d do little medieval romances with little drawings of girls in pretty dresses and everything. I’ve obviously got a lot darker since then… But I do remember saying to an adult when I was about 10/15 years old saying I’d love to be a writer and I’ve got some ideas for romantic stories’ and they just turned around and said to me ‘Oh yeah I’ve got a friend and she’s actually good and she’s not never got published so you got no chance don’t do it.’.

 

[00:15:17] [Laughter] The look of horror on your face! Slight digression. I don’t know if you’ve ever seen the TV show Lost, when they crash on this kind of weird magical bizarre island? And there’s a character in there who is my favourite character called John Locke, and he’s a bit of a misfit in society. He’s disabled, he’s kind of the typical mark for con men, so he’s not valued in society but actually in the island he really comes into his own. All throughout his life in the real world people say to him you can’t do this you can’t do that. And he stands up and says ‘Don’t tell me what I can’t do’. And actually that really struck me when this adult said to me you got no chance. I thought don’t tell me what I can’t do.

 

[00:16:07] But that kind of festered and lay dormant in my mind until thirty odd years later. So I always wanted to do it. Actually that’s one thing I think that drove me forward during this kind of three years of horror of submissions, I though someone told me I can’t do this,  I’m gonna prove them wrong! So it’s almost like a 40 year grudge that drove me through it.

 

[00:16:31] I have always wanted to be a writer. But then when kind of adult life and you think the responsible thing to do is to get a job that pays a regular salary. I did that and actually I love my job. I love my maths and everything that I do, but this thing lay dormant and it’s kind of the creative side I think which is my release from all the mathematical stuff I do during the day. So yeah.

 

Sarah [00:16:54] And I was going to ask what led you to choosing a historical romance and whether it is easy to pick a genre. But you’ve just said that your very early stories were quite romantic. Was it very simple to choose that genre?

 

Emily [00:17:07] It was yeah I had what I read when I was beginning to write the romance stuff I was reading a lot of crime not quite dark crime stuff. And there always seems to be this stigma with romance. If people ask me what genre I write and I say romance, you sometimes see their eye twitches a little bit as if to say ‘Oh well that’s kind of rubbish, cookie-cutter type stuff’. And they don’t realise that romance is a fantastic genre and it’s everywhere, it’s all about emotions and everything. So, I think I kind of held back a little bit earlier on, just because I thought people don’t value romance, but actually people do. There’s just a little bit of snobbery associated with it. But it was really easy to do romance and the historical romance, just the whole thing about knights in shining armour although now my knights are always a little bit tarnished.

 

[00:17:59] Yeah it was easy and it was it was natural. I am by no means a historian, so it’s not like I do hours and hours of research, but I do enough so I’ve give a flavour of the period. It’s authentic in terms of the period, and the flavour and the ambience.

 

Sarah [00:18:26] So people can really get into the story and not be thrown out of it – enough detail to anchor them in the story.

 

Emily [00:18:34] Yeah. You don’t want a Regency heroine picking up her mobile phone.

 

Sarah [00:18:40]  [Laughs] Not unless it’s a time travel one.

 

Emily [00:18:41] Wibbly wobbly timey-wimey time travel stuff.

 

Sarah [00:18:47] We’ve mentioned the fact that you have a really crazy year of publishing. I know I’ve said this to you personally many a time that you are having quite the introduction to being a published author. But it’s also true that you’ve always been incredibly productive in terms of your writing. And I admire it and I really want to learn from you. So while I’ve got you on the show I’d love to hear more about your writing process. So things like you know do you write every day and keep business hours Monday to Friday. What’s your routine?

 

Emily [00:19:28] I have to fit it around the day job which pays the bills. When I am actually drafting I do try to get myself in the zone, as it were, and I do try and be disciplined to write something every day. So if I’m in the throes of a draft and it’s all plotted out, it’s all good to go, I will aim for about two thousand words a day. Often I don’t reach that I then say to myself if I can make a thousand, which if I’m really concentrated I can probably churn out in about an hour of real concentrated writing. And if I’m really at full pelt, I can do five thousand a day but that’s normally if it’s a day off or if it’s a weekend. But I do try and make sure I’ve just put something in everyday, so at least every day I’ve moved forward even if it’s only by a little amount. I always feel that I might lose my touch if I don’t write, so I force myself to write a bit every day.

 

[00:20:27] In terms of how I do it. I plot like mad to the point of obsessive compulsive disorder. I have to have it all plotted out. And then I will blitz it through from start to finish. So in terms of plotting, I see it like a painting. I’ll kind of start fleshing out the story with big blocks of colour, with the themes and the character profiles, just to get some ideas. And then I’ll start fleshing out some of the detail by, say if I’ve got fight scene in Chapter 22, I might talk about who’s fighting who, what weapons they’ve got, whether there are any other characters witnessing the fight getting involved, what they say, ideas for dialogue. Eventually, once I’ve done that, I’ll have a whole mass of bullet points which just cover the scenes. Probably about 10 or 20 bullet points describing each scene. I’ll then colour code it, I mean I’m so obsessive, I will colour code it red for the heroine’s point of view, blue for heroes point of view, green for anybody else. Just to check whether the switches are happening at the right time, so that you haven’t got twelve chapters in one point of view in two lines in another. And that normally ends up being about 20 pages of A4. Then I lay it all out in front of me. Then I’ll do my character profiles with little spider maps. So the heroine on one side, hero on the other, with lines interconnecting all the other characters in between them. Once I’ve got that it’s good to go. And then I basically sit down and blitz through the first draft and just hide under a rock and write and write and write until at the other end a first draft is spat out.

 

[00:22:09]  I love things like the National Novel Writing Month that happens in November where you aim to write fifty thousand words in a month. Because that’s like one thousand six hundred and sixty six words a day, which is quite doable if you sit down for an hour a cup of coffee. So I tend to use that as my month for really focused drafting a book. It works really well for me because I just I love plotting but I know there’s some people who just the thought of plotting in advance just freaks them out.

 

Sarah [00:22:42] But it works for you. Do you have any other tips for writing regularly or for producing lots of books? Do you have any other tips for productivity?

 

Emily [00:23:10] Things like writer’s block. Some scenes I find really easy to write and others I find really difficult and I’m sure a lot of a lot of people find that. And a lot of people say to me ‘just leave that and go into an easy scene’ but actually I can’t do that. So one of the reasons why I do go from start to finish is I know that if I have got a difficult scene I just have to push through it. It’s like climbing a mountain, you might get a real difficult part and you think well you’ve got to do that halfway up or otherwise you’re never get to the top of the mountain. So I’ll just push through it, even if I think it’s gonna be rubbish, because at least then I will get to the other end.

I overwrite a lot, and I do know that if I’ve got scene which is difficult I’ll overwrite even more, so I just think just chuck words at it and eventually you will end up with something that can be edited down. And I always find, and I’m sure a lot of people find this as well, is that when I’m writing something I think it’s gonna be rubbish, it’s going to rubbish, but I keep saying to myself you think it is but actually when you look back at it with a clear head it’s never going to be as bad as you as you think it is. So I try to switch off the little devil inside me which says ‘you’re rubbish, this sucks, you suck, everything sucks, the world sucks’ and just push through that. And what I was saying before about forgetting submissions and cracking on with the next book, because you’ve almost always got something out on submission, so I try and switch off from that and just plough through the book. Arguing that whatever happens with the book that’s out on submission, I’ve still got to finish this book and I’m writing now so I force myself to do to do that.

 

[00:24:44] Oh another thing I do that stops, in terms of research and things you might if I’m writing something I’m not sure whether it’s absolutely historically accurate or I feel I need a bit more to make it authentic. I won’t stop and research and look up I will add in square brackets and capitals and ‘check the bit of history/add in a little bit of history here’ and then go back to it later on. That helps to keep the flow going of writing. So if you’re unsure about your facts I will always just stick a little note or comments. I always find that if I get interrupted when I’m writing that really causes problems. I stop and have to get back into it.

 

[00:25:27] Word races a great. I am I am super, super competitive, so as soon as someone says to me ‘right we’re going do a world race’ and we kind of connect on Facebook or something,  think ‘right, I want to get more words out than the next person’. And I set the timer on my iPad and I blitz it for half an hour and that really helps out an awful lot words because then I’m just determined to get the words down and not worry about how perfect they are. And that really helps. Short bursts. If I try and set races for myself, I might think ‘right, I managed a thousand words yesterday, let’s see if I can do fifteen hundred in the same space of time.’ So I compete with myself as well.

 

Sarah [00:26:12] That’s a good tip. I meant to ask you this before when you were talking about outlining. Have you got any resources or books that you’ve read about outlining and so on that helped you to learn how to do it? Or is it just something that you’ve developed and naturally?

 

Emily [00:26:31] Yeah it kind of just happens. But in terms of ideas, I carry around a notebook in my handbag. And if I do get an idea and sometimes it might be in the middle of a in the middle of the meeting or in the middle of the office, I’ll pick up my notebook and excuse myself and nip into the loo and just scratch out a few little notes. So if ideas pop in, I make sure I write them down. I dream a lot as well, so I wake up in the morning and write down lots of dreams. Actually loads of the scenes in the book Hawthorne’s Wife, a lot of that came from a dream.

 

[00:27:16] So yeah, I’m constantly writing out lots and lots of notes of ideas that might be good for novel. I’ll often use ideas from stuff I’ve written in the past, I mean there’s one thing I wrote a kind of young adult thing which is the first thing I ever wrote, which is just awful, it’s never going to see the light of day, but some of the ideas from that I’ve been able to poach for future novels. So I tend to have a whole mass of random ideas and then I’ll start ordering them into plots. But it’s just a system that’s really kind of come naturally, although I am aware of things like you have to have a change of pace. You can’t have it all at a fast pace or slow pace, you need to have ups and downs and dark things and you’ve got to think about obstacles for the characters to overcome, so I’m kind of aware of that in the back of my mind, but I don’t set out to follow any specific structure which is outlined in a book about writing I just kind of get on with it and tinker it and massage it into shape. And I do find critique buddies and another pair of eyes, sympathetic understanding eyes, is good as well. Because if all my critique buddies come back and say ‘look that really doesn’t work, please change it’ then I will change it.

 

Sarah [00:28:26] Oh that’s fantastic advice. And you handwrite your outlines and you type your drafts. Is that correct?

 

Emily [00:28:35] The notes are all handwritten. When I actually start plotting things out with the bullet points, I will then type that so I can cut and paste scenes.

 

Sarah [00:28:58] Excellent. Now as you said earlier, you’ve really had quite a launch into being a published author – so many deals and so many deadlines! How are you feeling having finally achieved this dream? How is the difference between writing for fun and for external publishing deadlines?

 

Emily [00:29:18] Yeah. When I got the publishing contract that’s when reality struck. Before I got published, it was like ‘oh that’s the dream, isn’t it wonderful isn’t it happy and like I’d have unicorns and rainbows stars flying out of my ears when it happens’. But then when it happened, I actually felt quite low two days afterwards because it was like ‘okay this is no longer a dream’. I’ve actually got to got to stand up and do something and step up to it and treat it as a business and take a professional approach to it, as opposed to an airy fairy this is my dream. That actually was a bit of a shock.

 

[00:29:50] In terms of marketing, that just seems to be some form of dark art which hopefully I will learn when I enter the non-Muggle world later on. But, yeah, writing to deadlines I’ve never actually had to draft to a deadline, yet, because I already had these three books done, which was which was quite good. That will be something I’m gonna have to do next year, I suspect, certainly if DragonBlade are interested in more books in the series. So it might be you have to ask me that in a year’s time.

 

Sarah [00:30:36] How have you found being out there as an author, having your work read widely and that side of things because I found that incredibly terrifying. How have you found it?

 

Emily [00:30:48] I think having Emily as a pen name, I can detach a little bit from it. So if you do see a bit of a stinky review, even if it gets personal about the author, you think ‘oh they’re talking about somebody else, I’m not her today, I’m me.’ And when I step into Emily’s shoes, hopefully she’ll be able to cope with it. I actually find it more scary having my books read by people I know, because then they look me in the eye. And it’s people who know me and think yeah I can see which aspects of you are in that book. Whereas if it’s a complete stranger, it’s just like a book they’ve liked or not liked. So in that way it’s not as bad as I thought it was going to be, but yeah when you start seeing reviews coming up on Amazon or GoodReads it is a bit of a daunting thought. I think because they’re strangers and we’re all detached and it’s all online, you’re not standing in a group of baying readers who are chucking things like you physically it’s not quite so horrific.

 

Sarah [00:31:55] And has anything about the experience surprised you – either in a good way or a bad way?

 

Emily [00:32:04] I think it was a surprise how quickly I came down from the high when I got the deal, because then I did realise that I’ve got to take a professional approach to it. I did burst into tears the other day. I got an email from someone – I just had a really bad review on Amazon – and I got an email from someone that came through from my newsletter. A complete stranger. Just to say lovely things about the book, saying they absolutely love it. They talk about the characters and said I’ve fallen in love with the character and I was like ‘blimey, that’s a complete stranger’ has actually opened up their email and sent me a note to say they love a character which has come out of my head and I didn’t realise what a rush that would give me and what a warm glow inside. So that that actually is amazing when a total stranger gets in touch.

 

Sarah [00:32:51] Brilliant. I’m just going to spoil your wonderful, positive answer, now, as I do want to ask you whether you ever suffer from creative block. You were saying you’re good at writing down ideas and you’re extremely prolific, but do you either suffer with creative block or self-doubt, or are there any parts of the process that stop you or freak you out?

 

Emily [00:33:22] Yeah, I’m always terrified that my work is rubbish, terrified that it sucks. Even if someone says something nice, a little voice in my head says to me they’re only saying it just to be nice, just to shut you up, because they don’t want to tell you that it sucks and tell you why. Because it’s less effort to say I like it than it is to say ‘I absolutely hate it and this is why’. So whenever I get an e-mail back from my editor I’m always thinking she’s going to tell me this sucks she’s going gonna say ‘why on earth to be offered you a contract you’ve written a load of absolute rubbish woman’. So I’m constantly feeling like that. I got an email from her about the second book. She got halfway through and actually she stopped with her edits and said I would like you to change a few things. And she was really complimentary, she said ‘your writing is lovely, but there’s just a couple of structural issues, don’t worry it it’s quite common with a new author’. But I interpreted that as ‘this book sucked so much, I got one hundred and sixty pages in and just gave up, what on earth are you doing, let’s check it back at you and hopefully you’ll go away we never have to publish this pile of absolute rubbish’. So that’s the biggest problem I have is a massive lack of self-confidence. I have imposter syndrome. I go into groups where there’s other authors and I think they’re probably looking at me thinking ‘what’s she doing here? She started writing later tonight, she’s only just started, she writes bodice rippers’. So, yeah, massive lack of confidence.

 

[00:35:00] It’s something I’m always having to struggle with. What I do is occasionally, I kept the initial e-mails that I got from my agent, even though we parted company I’ve still kept her initial email, from editors who’ve come back, the critiques from the New Writers Scheme. I kept those and I read those and say ‘yes, at that point somebody did say that they liked my writing enough to actually come out and tell me and go to the effort to tell me and offer me a contract or representation or something’, so I keep going back to that, and go ‘no, there was a point where people did actually think this was okay so just carry on’. So, yeah, it’s just dealing with that lack of self-confidence is a really difficult thing to do.

 

[00:35:47] I will often click open a good review and have a look at that, but it’ trying to focus on the good reviews not the bad ones. But even the bad ones I’ve had a really bad review which said this was one of the top five worst books, I absolutely hated it and I was crushed when I read it. And then part of me thought was a pity it wasn’t the top worst book I’d like to know what their worst book was because actually I would probably quite like it!

 

[00:36:13] But again the fact that it’s brought out such an emotional reaction in someone, that they feel compelled to log into their Amazon account and write about six paragraphs of why they hated it, that actually make me think it’s kind of done what I wanted, because it’s elicited an emotional reaction. And I did say to myself way back when I started I didn’t want to write books that were kinds of middle of the road I know because I like emotion and dark stuff is going to be Marmite, it is going to be love it or hate it. And I would rather have a mixture of five star and one star reviews from people where it’s really pulled out an emotional reaction than a whole mass of three stars of people saying ‘oh, it was all right’.

 

Sarah [00:36:52] And I remember that!

 

Emily [00:36:58] [Laughs] I know, when my first ever one star review came through, I said ‘this is what you said you wanted, you wanted ones and fives’.

 

Sarah [00:37:07] It’s so tough. And, again, thank you so much for sharing, because I do think most of us, if not all of us, feel the same way. So thank you again for sharing that. I think it’s a good strategy, definitely, trying to focus on the positive, on the positive reviews or positive feedback you’ve had. But, as you said it’s really difficult to force ourselves to believe it. Believe the positive. Listeners can’t see, but I was nodding away when you said that because that’s the crux of it, is that it’s very difficult to believe that positive feedback.

 

Emily [00:37:57] You do think are they just being nice to placate. Actually sometimes I’ll look at some of my favourite books and look at their reviews and think ‘yeah, it obviously wasn’t for them, but actually that’s an amazing book’. It does make me think at least I’m in good company. Yeah. We’re not gonna like the same thing. It’s just hard when you put your heart and soul into something and someone really hates it to the point where they have to tell the world just how much they hate it. It’s always gonna be tough. I’m hoping I will be more immune to it as the years go by.

 

Sarah [00:38:37] Well I can’t believe it, the time has raced by, so I will just finish up by asking what are you working on at the moment or what’s next for you?

 

Emily [00:38:48] Right. Well yes, book two in the London Libertines Hawthorne’s Wife should be out beginning of September. Book 3 which is called Roderick’s Widow, I think that’s scheduled to come out in December and that’s with my editor at the moment. I’ve plotted out book four in that series as well and I’ve got some embryonic ideas for books five and six, at least who the characters are going to be and what the main themes are. So I’m hoping to have book four written by the end of the year maybe and full drafts for five and six, and then hopefully I’ll have a chat with my publisher to see if I want to take this on. I’ve got two more medieval romances which I drafted ages ago which I had submitted a couple of times and got good feedback. So I might actually maybe self publish those because that’s something I’d like to branch into. I think once I’ve got just got a bit more experience of being an author, built up a few more newsletter subscribers, and just got a bit more of an idea about what the marketing thing is that I might actually give that a go myself.

 

Sarah [00:39:55] Fantastic. And where can people find out more about you and your books?

 

Emily [00:40:00] Oh right. I’ve got a Web site which is www.emroyal.com. I can be found on Twitter @eroyalauthor and on my website there is a link for my newsletter, as well.

 

Sarah [00:40:19] Fantastic. I’ll put all the links in the show notes but thank you so much for that, it was lovely to speak to you.

 

Emily [00:40:26] Thank you, Sarah, it has been so wonderful this chat to you.

 

The Worried Writer Episode #51: B.P. Walter ‘I Need A Map To Follow’

My guest today is Barnaby Walter, who writes under the name B. P. Walter. His debut novel, A Version of the Truth, is a dark psychological thriller published by Avon.

It has been called: ‘Beguiling, surprising and sometimes shocking.’

Barnaby is an alumni of the Faber Academy and currently works in social media coordination for Waterstones in London.

Follow B.P. Walter on Twitter, Instagram or Facebook.

 

 

 

IN THE INTRODUCTION

Become a PatreonThank you so much for supporting the show on Patreon. I wouldn’t still be doing the podcast without you as, much as I love podcasting, it does take a lot of time and some money to produce and I wouldn’t be able to justify it as part of my business.

Massive thanks to new patrons and to everyone supporting the show. Thank you so much!

Join our growing Patreon community at The Worried Writer on Patreon.

If you want instant access to the audio and to become an insider member of the podcast, you can sign up for just $2 a month via the link above. (You can support me for as long or a short a time as you like – cancel any time).

LISTENER QUESTION

I answer the following listener question…

Holly asked:

I’ve now got a ‘finished’ manuscript and I know the next steps will be to send it out to readers, agents and ultimately publishers. However, I can’t bring myself to let anyone read it – even my very supportive husband!  I just seem to have a real worry about anyone reading my fiction (which is a bit of a contradiction in terms for someone who wants to be a novelist…) The fear of being judged or finding out I have no talent is really holding me back, but I know I won’t improve my draft or my writing generally unless I get some feedback. Do you have any strategies for getting over this wall?

If you have a writing, productivity or publishing question that you’d like me to tackle in a future episode, please get in touch via email or Twitter or leave a comment on this post.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

WRITING UPDATE

This month I’ve been editing The Silver Mark and I sent it out to my ARC team last week. I’ve already had some feedback – good feedback – which is, as always, a massive relief!

Those who have been listening a while may already know this, but my Crow Investigations series is something I decided to do independently, another step along the hybrid publishing path and, so far, it’s gone really well. Far better than I hoped, I’ll be honest, which is very exciting indeed. I’m in the process of signing a deal for the audio rights, too, so The Night Raven will be truly hybrid with a traditional deal for the audiobook.

I think a large part of The Night Raven’s success is down to the amazing cover and, in case you are hybrid or independent (or thinking about it!), I want to recommend the agency I used. It’s called Books Covered and the art director is Stuart Bache who has many years of experience in the traditional industry. He has designed covers for authors such as John Le Carre and Stephen King and he is absolutely brilliant to work with. www.bookscovered.co.uk

 

RECOMMENDED

Barnaby plans his books and recommends the following book for getting to grips with story structure.

Stealing Hollywood by Alexandra Sokoloff

Barnaby also did a creative writing course at the Faber Academy and he recommends it highly. His tutor at the academy was Rowan Coleman.

 

 

IN THE INTERVIEW

On his book industry day job and how it affected his dreams of becoming an author:

I started for Waterstones as a weekend bookseller when I was fifteen or sixteen years old… Now I work in the head office doing social media coordination… Surrounded by the industry, the traditional publishing world, being surrounded by a lot of success… And on the other side of it, knowing that some books don’t do very well…

Knowing the astonishing the highs which are possible – and it’s very exciting to see a book catch fire like that, I think in part inspired me. Not that I thought I could achieve that, but seeing people be so passionate about story was amazing.

The other side, it meant I knew how difficult it was for any book, even once it’s published, to even make it to a bookshop shelf… Simply there’s just not enough space… It’s a fight, really. It didn’t stop me, thankfully, I didn’t shrink away in fear.

 

On the Faber Academy:

I had an idea for a third novel, but I was conscious that I had never been taught creative writing… So I read in the back of a lot of books, I quite like reading acknowledgements in the back of novels, particularly if you’re trying to get published… The things they say are often really interesting and the Curtis Brown and Faber Academy courses kept cropping up… I was so lucky, my employer made it possible for me to got to the Faber academy and change around my working schedule to make it possible for me to attend on Thursday mornings… I felt I needed some kind of guiding hand, a route through the darkness.

The Faber Academy was a very important turning point when I was trying to do this thing we call writing. It gave me tools, almost like an armoury, to approach it in more of a methodical way… It helped me realise that it wasn’t this strange potion making, this mystical magical thing that nobody knows how it works… It helped me to find my formula, my own mystical alchemy. And by sharing it with other writers and by being guided by a brilliant tutor, I had the wonderful writer Rowan Coleman…  She’s such an incredible inspiration to her class because she really, clearly loves what she does and the art of storytelling and that really helped me get to grips with the story I wanted to tell. The WIP I did while at the academy was the one that ended up getting published.

I can’t even say how helpful it was because it’s so buried in the fabric of what I do… If anyone is considering it I would say go for it.

 

On the submission process:

So many times in this industry you are ready for the next step or for things to get better, or you think ‘my God this is the next step, this is it’ … Each time you get an email which says can we have the full manuscript or can we have an exclusive on this title or whatever, you think ‘oh wow, it’s really going to happen’. And then it doesn’t. It’s hard not to feel as if you’re back to square one.

 

On writing when working full-time:

I find it really difficult… Trying to cram in the thing that’s most important to me, but squeezing it into little bits of time here and there is quite upsetting really. Because it’s the thing that you want to devote your full attention to and to do the best you possibly can… but you really have to slot it in.

I try to write a little bit in the evenings and I write every lunchtime for an hour.

The main hassle for me is that I spend my entire day in front of LED backlit screens so when I get home the last thing I want to do is spend more hours in front of a laptop screen.

Weekends are when I’m most productive because I can do bits and have breaks… I would struggle to give tips because I don’t have it figured it out.

I would say do what fits in the rhythm of your own life and don’t get too hung up on trying to get a routine if your current situation doesn’t lend itself to a routine yet.

I don’t focus on the amount of words I’m doing or pages or anything like that. A lot of it can be research or thinking which doesn’t lead to a thousand words a day… I do try to think about the book each day and think about how it could progress and to think about any of the nitty gritty problems in the plot and try to untangle them.

 

On plotting:

I need a map to follow. When I have an idea for a book… I then have to write it down step by step. I normally write down a chapter breakdown, with a plot synopsis.

Just having it makes me feel in control of the process rather than the process being in control of me.

I quite often cast my characters with actors. I cut out their pictures from publicity stills or whatever and I copy that to a cast list with every character and their age, job, where they figure in the plot and have their picture next to that. It helps me visualise them when I’m laying it out and that probably comes from my film studies days.

 

On writing process:

I can write at home, I can write in a coffee shop, I’m not too sensitive or particular, really. Complete silence would probably be the worst thing. If there’s nothing, I put on rain sounds or something in the background. Something to generate white noise so it’s not pin drop silence which can create an echo chamber in your head.

 

On the three act structure:

‘Once you’ve got structure to build on, the building on it becomes a lot more enjoyable.’

 

On life post-publishing:

‘It introduces a new level of consciousness and anxiety into the process’

‘It’s very strange… When you’re writing you think of it as the dream. You think something really stupid, you think once this happens all my problems will be solved and I’ll be forever happy.’

‘You just collect other problems and stresses… Which isn’t to diminish the wonderful feeling of having done it. It is wonderful but it’s not a one-sided thing.’

‘The feeling of anticlimax… Your life, quite often, doesn’t change.’

‘The week of publication when there’s a lot of focus on you and your book, I actually found that trickier than I expected… I’m a natural introvert and I’ve spent decades making sure I’m not the focus of attention in a room full of people.’

 

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

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Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

2018 Holiday Gift Guide For Writers

Oh, yes, it’s that time of year… I have started my Christmas shopping and keep seeing super-cute (and tempting) items for myself. So I thought I would share them in case you have a writer in your life and are looking for gift ideas. Or want inspiration for things to put on your own ‘wish list’ this year!

TOOLS OF THE TRADE

Stationery is always a good bet for writers…

I have been loving using my bullet journal this year, and I adore the turquoise Leuchtturm 1917 (dotted) I recommended last year. It has two ribbon markers, lovely paper and an elastic closure (plus loads of colour options!).

However, my daughter went with this Lemome notebook for her writing journal, and I was very impressed when it arrived… The paper is excellent quality, and I like the handy pen loop.

Lemome hardcover dotted journal/notebook – £9.99

Also, pens and pencils are very important… I love a fine nib (and still swear by Stabilo fineliners for journalling and doodling) and my go-to black pen for everyday use are Uni-Ball Pins in 0.1. £4.49 for a pack of three.

I also love a sharp pencil and mechanical ones are perfect for maintaining a good point. The Zebra M-301 fits my criteria of quality (at a very reasonable price so I don’t cry if I lose one!) and comfortable to hold. £2.58 each.

 

 

If you love fountain pens you probably already have a favourite brand. However, if you are keen to try one (or give one as a gift) and don’t want to break the bank, Pilot MR Retro Pops are a good choice…  They write very nicely, with good ink flow and a decent nib, and come in four colours: light blue, orange, purple or green.

Pilot MR Retro Pop: £19.32

Another nice stationery item is Washi tape. Even if you don’t bullet journal or scrapbook, this pretty tape is great for adding interest and colour to any diary or calendar, for marking pages in a book, and adding ‘literary love’ to wrapping paper. It’s also cheap enough to make a handy stocking filler.

Book Washi Tape for the reader/writer in your life! £3.95

 

 

I love my mechanical keyboard. Plus, alternating between different keyboard types (I use my laptop and iMac keyboards, too) seems to stop my wrist/finger pain from getting too bad.

If you know a writer who would enjoy the clicky-clacky noise and satisfying ‘travel’ of mechanical keys (along with the retro-style typewriter keycaps), this model fits the bill… Typewriter White keyboard. £86.98

Alternatively, the one I use is a Drevo, back-lit with rainbow lights! £45.99

ARTY

Lots of writers also love craft and other art forms. There is something deeply therapeutic about knitting or colouring/doodling and it’s a really good way to occupy part of your brain while your subconscious works out tricky plot points.

This year, I’ve discovered cross stitch as brilliant way to relax. It’s like doing a colouring book but with pretty thread – perfect! And this design (which I’m currently in the middle of stitching myself!) also happens to be one of my favourite quotes. It’s something I repeat often when I’m stuck in a draft (or in edits).

Impossible Cross Stitch by Satsuma Street. £8.75

(This link is for the printed chart on a handy website which also sells the necessary threads etc, but you can also go to Satsuma Street on Etsy for the digital download).

And for book-lovers in the US, I found this Hogwarts Crest cross stitch kit!

(NB: Not an item I have tested personally.)

If you know a writer who could benefit from some distraction/relaxation but they would recoil at the suggestion of craft, how about a jigsaw? No, come back… Honestly, it’s a good idea!

Personally, I love a good jigsaw puzzle, especially during the Christmas holiday, and this one combines two of my favourite things: fantasy and bookshops… In fact, I might have to send this blog post to my nearest and dearest as a subtle hint!

This would also be a great gift for a book-loving (older) child or family.

The Fantasy Bookshop 1000 Piece Puzzle: £12.99

 

HOMEWARE

 

As always, The Literary Gift Company is a treasure trove of book-related jewellery, apparel and homeware.

This year, I’ve picked out this lovely retro-style bookshop bookend.

Gorgeous, and a very reasonable £9.95. 

 

 

 

 

Writers are readers, too, and what could be nicer than a book sleeve to keep their favourite novel well-protected when out and about?

There are loads of different patterns available, so you could match a themed fabric to a particular book for a truly thoughtful gift.

Fox Book Sleeve £10.59

 

 

 

BOOKS

 

I have put a resources page HERE which lists my recommended writing books (craft of writing, business and mindset).

Of course, if you know a beginning (or professional) writer who suffers with fear, self-doubt or procrastination, I would recommend my own book on the subject(naturally enough!).

Stop Worrying; Start Writing is available in ebook, paperback or audio book (read by me).

 

 

Also, if you know someone who likes thoughtful ‘book club’ fiction, my dual narrative books In The Light of What We See and Beneath The Water might fit the bill…

And if you know an urban fantasy/paranormal mystery fan, may I suggest The Night Raven?

For memoir, I recommend I am, I am, I am by Maggie O’Farrell.

Other outstanding reads from this year (with thanks to the publishers for providing the review copies!):

The Seven Deaths of Evelyn Hardcastle by Stuart Turton – a brain-bending, high-concept and original murder mystery.

The Invitation by Keris Stainton – perfect for fans of romantic comedy, sparkling dialogue, lovely characters, and joyful reading!

The Hunting Party by Lucy Foley – a claustrophobic, twisty, gripping crime thriller set in the Scottish Highlands. Out 3rd December 2018.

Belleweather by Susanna Kearsley – I am a huge fan and this well-researched ghostly tale was every bit as enjoyable as I expected.

 

I hope that list helps a little – or sparks some ideas! If you’ve found the perfect writerly gift, do let me know in the comments below… And good luck with your Christmas/holiday shopping!

The Worried Writer Episode #41: Six Month Progress Report

This episode is a ‘just me’ show. Next month, I’m bringing you an interview with author and blogger, Victoria Walters, but this month I review my 2018 goals.

A massive thank you to everyone who has pledged support for the show on Patreon – I truly appreciate it. There are four exclusive audio extras (with a new one coming mid-July) and you get access to all of that content as soon as you become a $2 per month patron. Head here to find out more. Thank you!

Recommended:

This Author Can

A new resource set up by a friend of this show and past guest, Tracy Buchanan. This Author Can aims to help traditionally published authors to take control of their careers and to increase their book sales. While the focus is for those who are traditionally published (Tracy noticed that there wasn’t much business-focused advice aimed at trad authors), there is plenty useful information for independent authors, too.

Personal news:

I share that I have just got a Russian deal for In The Light Of What We See and talk about refreshing my attitude to fiction writing – reframing it as play. For more, see my blog post on the subject: Is It Time To Hit The Reset Button On Your Writing Life?.

Also, I am still dealing with my sad personal news and am working on getting back on track. I talk about the importance of being kind to myself!

 

 

Update on my goals for 2018:

We are halfway through the year so a good time to take stock and check progress.

Remember that it’s completely fine to update or change your goals – they are a tool to help you achieve what is most important to you, not a document which is set in stone just for the sake of it.

I go through the goals set in my January post: My 2018 Writing Goals.

I was actually really worried about looking over my goals as I’m always so aware of all things I could/should be doing, and how much slower I am at finishing books than many others.

However, I was pleasantly surprised – I have achieved more than I realised.

So. Halfway through the year might feel scary and ‘oh goodness where has the time gone’ but six months is a long time. We all have plenty of time left in 2018 to achieve success. And you get to decide what that looks like to you. Imagine we are in December, rolling down to the Christmas holiday and the end of the year. What do you want be saying? What do you want to have finished or started?

I mention a few tips that have been helping me to refocus:

New keyboard (mechanical) for writing sessions – used alongside the separate log-in on my iMac for ‘writer Sarah’ which helps signal this is a writing session not a general admin, marketing or podcast session.

Focusing on one thing at a time and trying to resist the urge to open lots of documents and browser tabs.

I’ve tried a few writing in café sessions which have been very successful and I’m planning a ‘proper’ retreat in the autumn.

Experimenting with listening to different soundtracks to help me to focus. I’ve used loud music for ages and always create a book soundtrack which I listen to on repeat while writing the book, but while I’ve been finding it hard to concentrate I’ve been trying video game music, film scores, brain.fm and even atmospheric soundtracks – things like crackling fireplaces and weather sounds.

So, goals for second half of 2018:

Continue focus on creative writing. I have finished the current book (hurrah!) and sent it to my first readers, and I want to write another new draft by the end of the year.

However, this doesn’t mean I’m dropping The Worried Writer. Far from it!

I want to carry on helping you, but it’s also super-valuable and helpful to me, too.

Stop Worrying; Start Writing as an online course? Thoughts?

So, I’m also going to write another non-fiction book and I’m also thinking about creating an online course based on Stop Worrying; Start Writing. It would be a series of videos and a private FB group for discussion and support, so that you could jump in and take the course anytime and at your own pace. Let me know what you think – good idea? Bad idea?

What Should I Write Next? Please help!

For my next non-fiction book I’ve got a couple of ideas and I would love your input as to which topic I tackle next. I’ve got two main ideas, but I’m happy to take other suggestions, too!

Hybrid Author

How to publish both traditionally and independently. The pros and cons of each route and why you might choose to have a foot in both camps. Plus, the practicalities of running your career this way.

Book Marketing

Some discussion of the tools available such as targeted advertising through FB and Amazon, but focusing on the strategies and the mindset issues around putting ourselves ‘out there’ and ‘selling’ as well as a bit about money mindset.

Let me know which you are most interested in! 

Also, as ever I would love to hear your questions or suggestion for the show. I’ve had a few requests for more content from pre-published writers and I’m thinking about how best to incorporate that – whether it’s reading out more questions or anecdotes from you guys or interviewing somebody who is trying to finish their first book or similar. Let me know your thoughts if you have any on that.

That feels like a scary amount of work for six months but in a good way. I’ve got a rush of excitement along with the fear so I know I’m on the right track.

How about you? What do you want to get done in the second half of the year? What do you want to have achieved by the end of 2018?

Leave a comment below if you would like some public accountability, but definitely write it down somewhere for yourself.

And let’s all kick writerly butt during the next six months. I want each and every one of us to be celebrating our successes come December 31st.

 

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

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Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

The Worried Writer Episode #39: James Blatch ‘I Live And Die By Whiteboards’

My guest today is James Blatch. James is a co-founder and director of the Self Publishing Formula with bestselling indie superstar, Mark Dawson. SPF offers fantastic training courses for authors on advertising, self-publishing, and book cover design, as well as a brilliant weekly podcast and free ebooks and resources. James is also an author and is working on his debut novel, The Last Flight. We have an interesting chat about the writing process for a first book, the pressures (and benefits) of writing a debut as a visible figure within the indie publishing community and the tips and resources James has found invaluable in getting to this stage.

For more about James and his forthcoming book, head to JamesBlatch.com or find him on Twitter @JamesBlatch.

The Self Publishing Formula podcast, free resources and courses can all be found at selfpublishingformula.com

IN THE INTRODUCTION

I give an update on my writing this month and admit to falling foul of the ‘fear demon’. On the plus side, once I realised I was scared of finishing the book (because that means showing it to people!), I started to make progress again. Sometimes just recognising the fear is enough to diffuse its power.

LISTENER QUESTION

Maria asked:

How do you get back into a novel project when you’ve been away from it for a while, and your life and your responsibilities have changed?

This is one of two excellent questions from Maria and I answered the other one in my second, Patron-only mini-episode, along with another question from another Patron. If you want access to the mid-month audio extras, consider signing up to support The Worried Writer on Patreon. Thanks!

If you have a writing, productivity or publishing question that you’d like me to tackle in a future episode, please get in touch via email or Twitter or leave a comment on this post.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

IN THE INTERVIEW

James’s writing routine:

‘I try to maintain a family balance… But somewhere in there I’m going to have to find more time to write my book.

On motivation:

‘London Book Fair is always a good boost for me… As soon as I get there I feel like I should hand a card out to explain where I am with my book as I get asked about it so much.’

‘I live and die by whiteboards.’

‘I use a word count target and it goes onto the whiteboard and it gets crossed off and if it doesn’t get crossed off then a little piece of me inside dies.’

On writing ‘in public’:

‘People reading it… That’s the bit that worries me! That people will read it and say ‘what’s all the fuss about, this guy can’t write.’

‘I’m big enough and ugly enough to cope with the bit of glare that there is on me… So I’m fine, really, and I’m using it positively.’

On Dan Brown’s plotting:

‘He very cleverly makes sure the reader is ahead of him. The reader has worked things out two or three pages ahead and there’s a trick to that.’

On shifting from journalism to fiction:

‘I want to tell people what’s happening but that’s not what you do in a novel… I keep giving it away, which is why the plotting is important.’

‘I’m learning the craft and it’s not obvious, is it? You might think it is, it might look easy from the outside but it isn’t…’

On doing the interviews for SPF:

‘Every week I learn something.’

 

Recommended:

James rates author and teacher Joan Dempsey for revision advice and recommends her online course.

Joan was also a guest on the SPF podcast in episode 88.

The Story Grid by Shawn Coyne

The Bestseller Experiment podcast

Novel Factory software for writing (free trial available)

 

 

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

The Worried Writer Episode #35: Lisa Hall ‘We’re Living The Dream’

My guest today is Lisa Hall, author of the bestselling psychological thrillers Between You and Me and Tell Me No Lies, which Heat magazine called ‘breathlessly fast-paced and cleverly unsettling’. Not content with a successful career as an author, Lisa has also crossed the divide to the other side of the business by founding a new publishing imprint, Manatee Books.

You can find out more about Lisa and her books at www.lisahallauthor.co.uk or find her on Twitter or Facebook.

In the introduction I give a recap on my progress during 2017.

It was a good year – my most productive so far, in fact – but I am keen to improve and to make 2018 even better.

2017

In 2017, my main writing goal was to write two new novels and to finish, edit and publish the Worried Writer book.

I managed one new first draft, two lots of major structural rewrites on ‘old’ drafts (including Beneath The Water which is out next month!), and I wrote and published Stop Worrying; Start Writing.

I also narrated the audiobook version, which was very enjoyable but also quite tricky and time-consuming!  It will hopefully be up for sale by the end of the month.

My supernatural thriller is almost ready to go on submission to publishers. This is always a nerve-wracking time and I’m very grateful that I have other projects to distract me…

I got The Garden of Magic made into an audio book and created a short story giveaway for my reader group sign-up.

Phew!

Highlights

I’m trying to get better at celebrating small successes, so listed some of my highlights from 2017:

  • Talking about overcoming fear and self-doubt on The Creative Penn podcast. You can listen here or watch the video on YouTube.
  • The Worried Writer being featured in Mslexia magazine.
  • Getting a new publishing deal with Lake Union with Beneath The Water.

 

2018

I give a brief overview of my goals for 2018, but will put up a more detailed ‘Writing Goals’ post on the 2nd January.

Are you setting goals for 2018? I would love to hear about your plans, too.

Comment below with your goals, or get in touch with any questions on goal-setting, defining success, or productivity.

 

In the interview:

Lisa’s schedule:

‘Because I’ve got three children I have to cram quite a lot in those hours in the middle of the day. When I’m writing I aim for 2000 words a day… I try not to do anything in that period when the children come home from school and go to bed.’

 

‘I do work Saturdays and Sundays. Especially when I’m on a deadline or I’m in the zone… Even I only get 500 words down then I don’t feel so guilty about taking the rest of the day off and spending it with the kids.’

 

‘The first couple of hours in the morning I do admin stuff. With Manatee Books there’s a lot of admin… I keep hours in the afternoon free for writing. I mean, it doesn’t always balance-out! It balances out eventually, but it’s quite hard.’

 

‘I’ve always got a to-do list… So I can work through and I know exactly what needs to be done every day and then I tag my wordcount onto the end.’

 

Writing process:

 

‘I quite often go for a run if I get stuck.’

 

‘I hate the thought of editing and when I get my edit notes, I don’t want to open the email… But once I make a start I’m okay.’

 

‘I’m a massive planner… I can’t write any other way.’

 

‘When I’m working on a book it’s like the idea for the next book can’t fully come through until that book is finished… It’s like my brain won’t let me think about the full story so I do worry that the idea won’t come, but it’s been like this every time.’

 

On starting a publishing company:

‘I’ve had a really good experience with my road to publication and the way HQ have handled things for me… And I know there are people out there who don’t have such a good experience so I wanted to set up something where hopefully we give every author a good experience… It’s really really exciting when you sign the contract but I feel like that excitement should keep going all the way through… I just want everyone to have a lovely experience. We’re living the dream after all!’

 

‘One day I might run out ideas but even if I can’t write I’ll still get to be involved in books, in publishing and be surrounded by brilliant stories and that’s all I really want.’

 

‘We are open for submissions. Liz is always on the lookout for good crime novels. I prefer the more commercial crime novel but she is all about the quirky… I work on the women’s fiction side of it which I really love… I’m looking for good chick lit, nice holiday reading and I’m really on the lookout for a good bookclub read. Um, bit of romance – not too saucy.’

 

Lisa’s advice to other authors:

‘Building an author brand is a slow burn and you need to be patient.’

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes that would be really helpful. Ratings raise the visibility of the podcast in iTunes and makes it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.