The Worried Writer Episode #51: B.P. Walter ‘I Need A Map To Follow’

My guest today is Barnaby Walter, who writes under the name B. P. Walter. His debut novel, A Version of the Truth, is a dark psychological thriller published by Avon.

It has been called: ‘Beguiling, surprising and sometimes shocking.’

Barnaby is an alumni of the Faber Academy and currently works in social media coordination for Waterstones in London.

Follow B.P. Walter on Twitter, Instagram or Facebook.

 

 

 

IN THE INTRODUCTION

Become a PatreonThank you so much for supporting the show on Patreon. I wouldn’t still be doing the podcast without you as, much as I love podcasting, it does take a lot of time and some money to produce and I wouldn’t be able to justify it as part of my business.

Massive thanks to new patrons and to everyone supporting the show. Thank you so much!

Join our growing Patreon community at The Worried Writer on Patreon.

If you want instant access to the audio and to become an insider member of the podcast, you can sign up for just $2 a month via the link above. (You can support me for as long or a short a time as you like – cancel any time).

LISTENER QUESTION

I answer the following listener question…

Holly asked:

I’ve now got a ‘finished’ manuscript and I know the next steps will be to send it out to readers, agents and ultimately publishers. However, I can’t bring myself to let anyone read it – even my very supportive husband!  I just seem to have a real worry about anyone reading my fiction (which is a bit of a contradiction in terms for someone who wants to be a novelist…) The fear of being judged or finding out I have no talent is really holding me back, but I know I won’t improve my draft or my writing generally unless I get some feedback. Do you have any strategies for getting over this wall?

If you have a writing, productivity or publishing question that you’d like me to tackle in a future episode, please get in touch via email or Twitter or leave a comment on this post.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

WRITING UPDATE

This month I’ve been editing The Silver Mark and I sent it out to my ARC team last week. I’ve already had some feedback – good feedback – which is, as always, a massive relief!

Those who have been listening a while may already know this, but my Crow Investigations series is something I decided to do independently, another step along the hybrid publishing path and, so far, it’s gone really well. Far better than I hoped, I’ll be honest, which is very exciting indeed. I’m in the process of signing a deal for the audio rights, too, so The Night Raven will be truly hybrid with a traditional deal for the audiobook.

I think a large part of The Night Raven’s success is down to the amazing cover and, in case you are hybrid or independent (or thinking about it!), I want to recommend the agency I used. It’s called Books Covered and the art director is Stuart Bache who has many years of experience in the traditional industry. He has designed covers for authors such as John Le Carre and Stephen King and he is absolutely brilliant to work with. www.bookscovered.co.uk

 

RECOMMENDED

Barnaby plans his books and recommends the following book for getting to grips with story structure.

Stealing Hollywood by Alexandra Sokoloff

Barnaby also did a creative writing course at the Faber Academy and he recommends it highly. His tutor at the academy was Rowan Coleman.

 

 

IN THE INTERVIEW

On his book industry day job and how it affected his dreams of becoming an author:

I started for Waterstones as a weekend bookseller when I was fifteen or sixteen years old… Now I work in the head office doing social media coordination… Surrounded by the industry, the traditional publishing world, being surrounded by a lot of success… And on the other side of it, knowing that some books don’t do very well…

Knowing the astonishing the highs which are possible – and it’s very exciting to see a book catch fire like that, I think in part inspired me. Not that I thought I could achieve that, but seeing people be so passionate about story was amazing.

The other side, it meant I knew how difficult it was for any book, even once it’s published, to even make it to a bookshop shelf… Simply there’s just not enough space… It’s a fight, really. It didn’t stop me, thankfully, I didn’t shrink away in fear.

 

On the Faber Academy:

I had an idea for a third novel, but I was conscious that I had never been taught creative writing… So I read in the back of a lot of books, I quite like reading acknowledgements in the back of novels, particularly if you’re trying to get published… The things they say are often really interesting and the Curtis Brown and Faber Academy courses kept cropping up… I was so lucky, my employer made it possible for me to got to the Faber academy and change around my working schedule to make it possible for me to attend on Thursday mornings… I felt I needed some kind of guiding hand, a route through the darkness.

The Faber Academy was a very important turning point when I was trying to do this thing we call writing. It gave me tools, almost like an armoury, to approach it in more of a methodical way… It helped me realise that it wasn’t this strange potion making, this mystical magical thing that nobody knows how it works… It helped me to find my formula, my own mystical alchemy. And by sharing it with other writers and by being guided by a brilliant tutor, I had the wonderful writer Rowan Coleman…  She’s such an incredible inspiration to her class because she really, clearly loves what she does and the art of storytelling and that really helped me get to grips with the story I wanted to tell. The WIP I did while at the academy was the one that ended up getting published.

I can’t even say how helpful it was because it’s so buried in the fabric of what I do… If anyone is considering it I would say go for it.

 

On the submission process:

So many times in this industry you are ready for the next step or for things to get better, or you think ‘my God this is the next step, this is it’ … Each time you get an email which says can we have the full manuscript or can we have an exclusive on this title or whatever, you think ‘oh wow, it’s really going to happen’. And then it doesn’t. It’s hard not to feel as if you’re back to square one.

 

On writing when working full-time:

I find it really difficult… Trying to cram in the thing that’s most important to me, but squeezing it into little bits of time here and there is quite upsetting really. Because it’s the thing that you want to devote your full attention to and to do the best you possibly can… but you really have to slot it in.

I try to write a little bit in the evenings and I write every lunchtime for an hour.

The main hassle for me is that I spend my entire day in front of LED backlit screens so when I get home the last thing I want to do is spend more hours in front of a laptop screen.

Weekends are when I’m most productive because I can do bits and have breaks… I would struggle to give tips because I don’t have it figured it out.

I would say do what fits in the rhythm of your own life and don’t get too hung up on trying to get a routine if your current situation doesn’t lend itself to a routine yet.

I don’t focus on the amount of words I’m doing or pages or anything like that. A lot of it can be research or thinking which doesn’t lead to a thousand words a day… I do try to think about the book each day and think about how it could progress and to think about any of the nitty gritty problems in the plot and try to untangle them.

 

On plotting:

I need a map to follow. When I have an idea for a book… I then have to write it down step by step. I normally write down a chapter breakdown, with a plot synopsis.

Just having it makes me feel in control of the process rather than the process being in control of me.

I quite often cast my characters with actors. I cut out their pictures from publicity stills or whatever and I copy that to a cast list with every character and their age, job, where they figure in the plot and have their picture next to that. It helps me visualise them when I’m laying it out and that probably comes from my film studies days.

 

On writing process:

I can write at home, I can write in a coffee shop, I’m not too sensitive or particular, really. Complete silence would probably be the worst thing. If there’s nothing, I put on rain sounds or something in the background. Something to generate white noise so it’s not pin drop silence which can create an echo chamber in your head.

 

On the three act structure:

‘Once you’ve got structure to build on, the building on it becomes a lot more enjoyable.’

 

On life post-publishing:

‘It introduces a new level of consciousness and anxiety into the process’

‘It’s very strange… When you’re writing you think of it as the dream. You think something really stupid, you think once this happens all my problems will be solved and I’ll be forever happy.’

‘You just collect other problems and stresses… Which isn’t to diminish the wonderful feeling of having done it. It is wonderful but it’s not a one-sided thing.’

‘The feeling of anticlimax… Your life, quite often, doesn’t change.’

‘The week of publication when there’s a lot of focus on you and your book, I actually found that trickier than I expected… I’m a natural introvert and I’ve spent decades making sure I’m not the focus of attention in a room full of people.’

 

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

The Worried Writer Episode #48: Kerry Barrett ‘Just Keep Swimming’

My guest today is author and editor Kerry Barrett. Kerry Barrett is the author of eight novels, including the Strictly Come Dancing-themed A Step in Time, and The Girl in the Picture, about a crime novelist who solves a 160-year-old mystery. Kerry’s latest novel is a time slip called The Hidden Women.

For more about Kerry and her books, head to kerrybarrett.co.uk

Or find her on Twitter or Facebook.

Kerry’s editing services.

IN THE INTRODUCTION

I give thanks for the wonderful Patreon support and a shout-out to new patrons.

I love the ‘community within a community’ that we’ve created over on Patreon and I really enjoy making the audio extras (which go up in the middle of every month).

Thank you so much to everyone supporting The Worried Writer in this way – it means so much to me.

To become a Worried Writer insider and to support the podcast – for as little as $1 a month – head to The Worried Writer on Patreon.

THANK YOU!

WORLD ANVIL INTERVIEW

I talk about my recent live interview on the World Anvil Twitch stream (video now available on YouTube HERE).

And here is the link to World Anvil – an app which helps you to create and organise your fantasy world for book-writing or RPG gaming.

LISTENER QUESTION

If you have a question you would like answered on the show

contact me via email or Twitter or leave a comment on this post.

IN THE INTERVIEW

On making time to write:

‘I wrote a lot on the train, I kind of squeezed my writing in wherever I could.’

‘My son is a swimmer so I do a lot of writing poolside, watching him.’

On transitioning to full-time writing:

‘It was quite lucky as soon as I finished at the magazine, I was stright into edits on the The Girl in the Picture… I didn’t really have time to think which was brilliant… The edits on that kind of got me into the swing of things.’

‘If I hadn’t had those edits with the deadline, I might have been a bit floaty… I did watch quite a lot of Netflix, I have to be honest. It was quite funny to have all that time and it almost made me less productive,

Kerry’s writing process:

‘I’ve been a journalist for a long time so I thrive on a deadline.’

‘I aim for a chapter a day… I consider it a triumph if I write more.’

‘I just write on Word.’

‘I do write down my word count every day and I cross it off and write the new amount.’

‘Head down, keep going.’

On getting blocked:

‘My mantra when it comes to writing is I’m very inspired by Dory and how she says ‘just keep swimming’… I wear a charm bracelet that’s a fish which reminds me… Just keep going, it will happen eventually.’
 
‘Just keep swimming!’
 
‘I write an outline initially with a beginning, middle and end, on an A4 sheet of paper, and I print it out and then I start writing. And as I write, things change and I realise things that won’t work… I’m very old school and I scribble on my outline and stick post it notes and write in different colours and draw arrows…And when it’s got to the point when I can scribble no more I type it up again and print it out. And then I staple the new one on so by the end of the novel I will end up with 12 or 15 outlines that have all come from that initial outline.’

On self-doubt:


‘I can always write something… When I was preparing for this podcast I started thinking about what worries me and it’s not the writing…  Maybe because it’s been my job  for a hundred years… I just write… But once I have that’s when – oh my – I’m just so scared…’
 
‘For me it’s not the process, it’s the aftermath – I just want to hide.’
 

Recommended:

Save The Cat by Blake Snyder

On Writing by Stephen King

Into The Woods by John Yorke

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

The Worried Writer Ep#45: Rachel Burton ‘Little And Often Is The Key’

My guest today is Rachel Burton, author of contemporary women’s fiction. Her two novels, The Many Colours of Us and The Things We Need To Say, have been called thought-provoking and emotional.

Rachel and I first connected as she was a listener of the show, and I was delighted to chat to her about her writing success. Rachel suffers from chronic illness, M.E and Fibromyalgia, and we talk about writing books under challenging circumstances.

For more information on Rachel and her books – and for tips on writing with a chronic illness – visit RachelBurtonWrites.

Or you can find Rachel on Twitter and Instagram.

IN THE INTRODUCTION

I give an update on the launch of The Night Raven. Short version – it went really well and I’m a very happy author!

If you are interested in London-set paranormal mystery which has been called:

‘My favourite new urban fantasy series, clever and twisty and deliciously magical, with a shivery sense of wonder that feels utterly grounded in its London setting. Perfect for fans of Ben Aaronovitch, Genevieve Cogman or Robert Galbraith!’

You can click here for shopping options – thank you!

And I give a shout-out to new patrons supporting me via Patreon. Thank you so much!

You can support the show for as little as $1 per month and, for supporters at the $2 and above level, there is an exclusive mini-episode released in the middle of every month.

There are eight ‘extras’ already available and another one will go up mid-November. So far, I’ve answered patron-questions and given writing craft tips, but I’m also open to suggestions…

To become a Worried Writer insider and to support the podcast head to The Worried Writer on Patreon.

THANK YOU!

LISTENER QUESTION

I answer a couple of listener questions this month.

One from Karen Heenan (via Twitter) about writing a synopsis. I run through the differences between a synopsis, blurb and pitch, and recommend a book I found very helpful back when I was submitting to agents:

How To Write A Great Synopsis by Nicola Morgan

And one from Catherine Barbey. Catherine has published her first novel – congratulations, Catherine! And is getting fabulous reviews, but is finding it really difficult to write the next book in the series.

Catherine wrote:

‘How did you know, after you got your first book published (which I know wasn’t the first you’d written) that you wanted to carry on and keep writing? How did you know that you weren’t just a ‘one-hit wonder’?  And how did you get over ‘second book syndrome?’

 

If you have a question you would like answered on the show

contact me via email or Twitter or leave a comment on this post.

 

IN THE INTERVIEW

On publishing:

‘It felt very like I had no idea what I was doing… It felt very overwhelming, like I was totally out of my depth.’

On writing her first book:

‘The last few chapters of that book seemed to take a hundred years.’

Rachel’s writing process:

‘I write the end first. So when I plan a book, I know how it opens and I know the ending… When the going gets tough which, for me, is usually around 40,000 words in, I go and write the end. I write the last 5000 words, and then I’ve got something to aim for.’

‘I’m not a huge believer in necessarily writing the book in order. Some scenes require more research, some are harder than others… So just leave it and move on… Don’t just sit there hoping they will miraculously write themselves, just move on and write the next bit; keep it flowing, keep going.’

‘Little and often is the key because it gets you in the habit of putting words on the page.’

‘It is hard to get to the end so make your end somewhere you want to get to.’

‘There are days when I will do anything rather than write.’

 

On writing with a chronic illness:

‘I do suffer from chronic pain issues… I do have to make sure I’m sitting in the right chair. I also have to take very regular breaks and I can only write for a little bit of time and then I have to get up and walk around the room or I will get stuck in a chair shape for the rest of the day.’

‘In terms of energy levels, that has been hard. It’s hard to work out when you can and can’t write. With M.E one of the biggest problems is brain fog and when your brain is foggy, concentrating is hard, focusing on something for a long time is difficult.’

‘There are times when I’m not well enough to work at all, but I do find that even if I’m just writing a few notes about a character… I find that really does help my illness and helps me find a bit of energy and joy.’

‘Creativity does energise me.’

‘With chronic illness than can be a lot of feeling bad about yourself, feeling that you’re not adequate enough. You compare yourself to other people who aren’t ill and the word counts that they do…’

‘You can’t compare yourself to someone who doesn’t have the same setbacks as you.’

‘Be honest with everyone. I think we want to hide our chronic illness sometimes, we think people will judge us… Think we’re not capable. But I found when I was honest with my editor and my agent, they were absolutely fine with it.’

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

The Worried Writer Ep#43: Paul Teague ‘Just Keep Going’


My guest today is thriller and science-fiction author, Paul Teague. Paul is a former broadcaster and journalist for the BBC and he has transferred those skills to his fabulous podcast, Self Publishing Journeys.

One of the reasons I wanted to have Paul on the show is his refreshing honesty and openness about his own publishing business.

In our chat, he talks about the money he has made and his future plans, as well as revealing the pain of comparing himself to others and his own struggles with self-doubt.

For more on Paul and his books go to PaulTeague.net

To learn more about Paul’s podcast: Self-Publishing-Journeys.com

IN THE INTRODUCTION

In writing news, I am just finishing the rewrites on my new book, The Night Raven.

It is going to the copy-editor next week and will be out this October – meep!

Here is the cover and a little info: It’s the first book in a new London-set paranormal mystery series, featuring private investigator Lydia Crow.

If you like the look of it, perhaps you would like to join my author newsletter? I will let you know when The Night Raven is available and enter your name into my launch giveaway. CLICK HERE TO SIGN UP!

Also, I reveal that I have failed to start my new book project (and have been working on the next book in the Crow Investigations series, instead), but that I’m being kind to myself. It’s been a tough few months, emotionally, and I’m just glad I’m able to write at all!

I talk about my plans to develop my career as a hybrid author – publishing both independently (as I did for Stop Worrying; Start Writing) and with publishers such as Lake Union.

RECOMMENDED

Adam Croft’s book The Indie Author Mindset.

This is a fabulous guide to developing a professional attitude to your writing – something I believe is important whether you are traditionally or independently published.

I also give a shout-out to my new supporters on Patreon. I appreciate my patrons (new and existing!) so very much – THANK YOU!

The next patron-only exclusive extra will go up mid-month and in it I will be answering a question about NaNoWriMo and giving some tips.

For more information on becoming a patron of the show, see The Worried Writer on Patreon.

IN THE INTERVIEW

On writing productivity and schedule:

‘Ever since I was sixteen I’ve been a formulas guy. The only way I can cope with life, really, is to parcel it up… I make meticulous plans.’

‘I don’t do panic. I don’t like surprises.’

‘Time management is a big thing for me… I’m planned out on my weekly planning sheet until December.’

On self-doubt:

‘I was on stage with L.J. Ross who’s just sold zillions of books… And I thoroughly enjoyed it and it was a privilege, but I left feeling deflated.’

‘There’s always somebody who is envious of where you are… But I’m beating myself up because I think I’m rubbish and doing terribly.’

The secret to success:

‘Persistence seems to be the one thing that comes through time and time again – just keep going, just keep getting better, just keep putting the next step forward.’

 

Thanks for listening!

If you can spare a few minutes to leave the show a review on iTunes (or whichever podcast app you use) that would be really helpful. Ratings raise the visibility of the podcast and make it more likely to be discovered by new listeners and included in the charts.

The Worried Writer on iTunes

[Click here for step-by-step instructions on how to rate a podcast on your device]

Also, if you have a question or a suggestion for the show – or just want to get in touch – I would love to hear from you! Email me or find me on Twitter or Facebook.

 

The Worried Writer Ep#34: ‘Check In With Your Goals’

In this ‘just me’ episode I recap my progress over 2017, give tips learned from my recent ‘performance and presentation’ training, and answer a listener question about getting a trilogy published…

Writing progress:

As the end of the year approaches, I start thinking about next year – mainly because I tend to go into hibernation mode during this time but I absolutely love the fresh new start of January and get far more excited by the new goal setting and planning of a new year.

I’ve tried to recognise that I go into a bit of an energy slump in December and have scheduled a light month. However, I’m a bit behind on some of my November goals, so I want to really push myself this week to get as much done as possible before I wind down for the year.

I have revisited my goals from January this year and I’m pretty pleased with what I’ve achieved, but if I can tick a couple more things off the list then even better!

I encourage you to check in with your goals on a regular basis – but definitely at large junctures like quarterly or at the beginning, middle and end of the year. When I’m feeling overwhelmed or like I’m not getting much done it can be either encouraging to see what I have actually managed or the kick up the backside I need.

This year I planned to write, edit and publish Stop Worrying; Start Writing in all formats. The ebook and print versions are done and the audio should scrape in under the wire, I hope!

I also did extensive structural rewrites on Beneath The Water (now available to pre-order – meep!), finished and rewrote my supernatural thriller, and have almost finished the first draft of a new novel.

In writing terms, it’s probably my best, most productive year yet but I am still aware of how much more I am capable of or, more accurately, how much more I want to do. I think I have to be happy with my own process, but also to push myself a bit and keep trying to refine my work habits. It’s a tricky balance.

This year I also planned to do some real life events, meeting up with author friends who live around the UK and beyond, and I managed a couple of lovely lunches – hurrah! I also made strides with my business training by completing the SPF 101 course and ‘advertising for authors’, both from the excellent Mark Dawson. I’ve started to experiment with ads with some success, so that’s pleasing. I’ve also been building my mailing list, although I have a lot more to do in that area.

This month, I was lucky enough to get attend a Performance and Presentation training day put on by the Scottish Book Trust. There were workshops from Jenny Lindsay, a spoken word poet, and Alex Gillon, a voice coach.

It was an intense day and quite hard in places, but the workshops were incredibly powerful and useful.

 

Lessons learned:

Mindset is important!

  • Remember why you are doing this (to share your work).
  • The people in the audience are not out to hate you or have a bad time and they won’t be hyper-critical if you make little mistakes or seem nervous.
  • Think of it like talking a group of people you’ve just met in the pub. You don’t know them well, but they seem nice.
  • ACT FINE. You don’t have to be super-confident or to feel fine, you just have to act fine.

Practical tips:

  • Walk the space beforehand.
  • Insist on a sound check.
  • Warm up with stretching, shaking out the tension in your body and do some breathing exercises before you go on.

Perform!

The other big takeaway for me was the idea of really performing the piece. Having only presented non-fiction, I hadn’t appreciated how much feeling and variety you need to put into a piece of fiction to make it come alive. It’s no good just reading the text nice and clearly; if you want your listeners to experience it properly, you have to act with emotion and use different voices for the different characters and so on.

I am so grateful to the Scottish Book Trust for the opportunity and feel more confident than I did at the thought of reading my fiction to an audience. I’m still terrified, of course, but it helps to know there are techniques and tips I can follow.

Listener Question:

This month’s listener question is from Georgia. She wrote:

I am currently learning how to edit my first draft of my very first novel! I am planning on making it the first of three in a series. I would like to try to get it traditionally published…

However, I have a full-time job and am worried that even if I did manage to get a deal for all three, trying to write to a deadline alongside a full-time job would be too much. Would it be better to write all of the series and then try and get it published? Or would publishers be reluctant to buy a series all in one go?

Thanks so much for the great question, Georgia!

My advice is to start querying as soon as book one is ready. Traditional publishing is very slow so you will have time to finish your second and maybe even third while you wait to hear from agents and publishers. A publisher might not want to buy a trilogy so it is a good idea to make sure book one can stand alone, too.

 

If you’ve got a question you’d like answered, please email me or find me on Twitter.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

 

I can’t believe that the next show will be out in 2018!

I have a fabulous interview with psychological thriller author and publisher (Manatee Books), Lisa Hall, to share with you, and will also discuss my goals for 2018.

Thank you so much for your support this year and I wish you a happy winter holiday!

 

 

Thank you for listening!

Please spread the word and, if you can spare the time, leave a rating for the show on iTunes or whichever podcast app you use. Reviews and shares really help the visibility of the show.

 

The Life-Changing Magic of Finishing Your Book

A comment popped up recently and, after replying, I found it was still rattling around in my mind. I know it’s something that many of us struggle with, so I thought I would discuss it here:

Hi I am a new and yes very worried writer, so am thrilled to have found your podcasts. I have started several novels, but never finished them, I’m hoping that I will get inspiration and hints and tips to finish one. Looking forward to listening to the other podcasts. Debs

First off, a big thank you to Debs for listening and leaving such a great comment.

Reading this took me right back to where I was stuck for a very long time… Throughout my teens and twenties, I dreamed of writing fiction: I thought about writing, I talked about writing and I read endless advice books and blogs about writing. I was looking for the secret. The magic ingredient that would enable me to write a book.

I started stories. I would write an opening paragraph or scene and just run out of steam. Occasionally, I would manage a few chapters, but I never knew what came next so I stopped. Until the next character or opening line or bit of dialogue would pop into my head and I’d write it down, only to get stuck again.

Behind all of this stopping was fear. I was scared that I couldn’t do it and so I never forced myself past the initial spark of an idea.

Also, I was making a crucial mistake: I thought that feeling stuck meant that the initial idea was no good.

What I didn’t realise was that feeling stuck as a writer is completely and utterly normal: It’s part of the gig! 

That having ‘no idea what happens next’ doesn’t mean you shouldn’t keep on trying. That, essentially, writing a book is hard graft, not divine inspiration.

Also, I hadn’t realised that nested inside my surface fears (of writing rubbish and not having enough ideas to fill a book) were deeper worries about finishing. If I finished, I would have to take the next step and actually show it to somebody else – argh!

Ultimately, I was terrified that if I did finish a book and it sucked, then I would have confirmation that I was a terrible writer and would never be an author.

It felt safer to dream of ‘being a writer on day’ rather than risk exposing my lack of ideas and talent through actually trying.

So, just in case you are where I used to be (or you are Debs – hi Debs!) I’m going to reveal to you the big secret about writing novels.

The reason you are finding it hard to finish your novel is because it is SUPER HARD TO DO.

But, here is the big secret… All you have to do is slog through this first one.

It doesn’t have to be good.

There is one rule: If you get to the end, you have succeeded.

If it sucks (and, fair warning, it probably will) that doesn’t matter. Every single author you have ever loved sucked when they started writing. Just think of it as a necessary stage.

And here is the best part – the magic lies in the act of finishing. Once you have finished that first book, I promise it will transform your writing life.

You might choose not to finish projects in the future, but you will carry with you the knowledge that you ARE capable of finishing them and that makes all the difference in the world.

So, having explained why I think finishing your book is so gosh-darned important, here are a few tips to help you get from beginning to end (or middle to end):

  • Don’t focus on the writing. Focus on the act of doing the work, not the writing you are producing.
  • Make finishing your book (no matter what) your one and only goal.
  • Break the goal into manageable steps and add a deadline.

Happily enough, there is a group writing challenge starting next week which will help you with all of these tips. It’s National Novel Writing Month (NaNoWriMo) and it starts on 1st November. You can sign up (free) here.

Or, you can set your own version of the challenge… Remember – the only thing that matters is getting to the finish line, not how you run the race.

Also, if you prefer your cheer-leading in book-form and liked this post, why not try my guide? It’s packed with tips and advice to help you start (and finish!) your book:

Stop Worrying; Start Writing: How To Overcome Fear, Self-Doubt and Procrastination.

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AMAZON US

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Thanks for reading!

Are you struggling to finish your book or have you got a tip you want to pass on?

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