My guest today is James Blatch. James is a co-founder and director of the Self Publishing Formula with bestselling indie superstar, Mark Dawson. SPF offers fantastic training courses for authors on advertising, self-publishing, and book cover design, as well as a brilliant weekly podcast and free ebooks and resources. James is also an author and is working on his debut novel, The Last Flight. We have an interesting chat about the writing process for a first book, the pressures (and benefits) of writing a debut as a visible figure within the indie publishing community and the tips and resources James has found invaluable in getting to this stage.
The Self Publishing Formula podcast, free resources and courses can all be found at selfpublishingformula.com
IN THE INTRODUCTION
I give an update on my writing this month and admit to falling foul of the ‘fear demon’. On the plus side, once I realised I was scared of finishing the book (because that means showing it to people!), I started to make progress again. Sometimes just recognising the fear is enough to diffuse its power.
How do you get back into a novel project when you’ve been away from it for a while, and your life and your responsibilities have changed?
This is one of two excellent questions from Maria and I answered the other one in my second, Patron-only mini-episode, along with another question from another Patron. If you want access to the mid-month audio extras, consider signing up to support The Worried Writer on Patreon. Thanks!
I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).
IN THE INTERVIEW
James’s writing routine:
‘I try to maintain a family balance… But somewhere in there I’m going to have to find more time to write my book.
‘London Book Fair is always a good boost for me… As soon as I get there I feel like I should hand a card out to explain where I am with my book as I get asked about it so much.’
‘I live and die by whiteboards.’
‘I use a word count target and it goes onto the whiteboard and it gets crossed off and if it doesn’t get crossed off then a little piece of me inside dies.’
On writing ‘in public’:
‘People reading it… That’s the bit that worries me! That people will read it and say ‘what’s all the fuss about, this guy can’t write.’
‘I’m big enough and ugly enough to cope with the bit of glare that there is on me… So I’m fine, really, and I’m using it positively.’
On Dan Brown’s plotting:
‘He very cleverly makes sure the reader is ahead of him. The reader has worked things out two or three pages ahead and there’s a trick to that.’
On shifting from journalism to fiction:
‘I want to tell people what’s happening but that’s not what you do in a novel… I keep giving it away, which is why the plotting is important.’
‘I’m learning the craft and it’s not obvious, is it? You might think it is, it might look easy from the outside but it isn’t…’
On doing the interviews for SPF:
‘Every week I learn something.’
James rates author and teacher Joan Dempsey for revision advice and recommends her online course.
Joan was also a guest on the SPF podcast in episode 88.
The Story Grid by Shawn Coyne
The Bestseller Experiment podcast
Novel Factory software for writing (free trial available)
Thanks for listening!
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